Keramiker Pernille Pontoppidan Pedersen

The starting point of my practice is based on form, its external spatial boundaries and aesthetics, often in interest for the ugly, the fallible. This is where I experience the connection between the arts and the common valuation of the beautiful. In my point of view, I see that through the anti-aesthetics occurs an illumination of the aesthetics.
I see form and space as central to the way we experience and perceive, how we are influenced by the things around us. Through material experiments I try to put form and objects into play, in the study of the nature of shape and space.

( tekst fra europeanceramiccontext.com )

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